Minneapolis Star Tribune
Tracy Morgan took a break from a recent phone interview to ask fiancee Megan Wollover to name the most annoying thing about him.
"My farts, Boo? Yeah, she gets tired of those Dutch ovens," he said in that booming voice that's most likely the result of swallowing a megaphone during childhood. "I get on her nerves. I'm complicated."
That's an understatement.
The 44-year-old comic generated some of the biggest laughs in "Saturday Night Live" history, yet during eight seasons he never created a landmark character (unless you count dimwitted faux-zoologist Brian Fellow).
He's been nominated for an Emmy, but his most memorable moment during the awards ceremonies was pretending to pass out onstage last year, a practical joke that triggered 25,000 tweets. On talk shows, he can be engaging one minute, totally disconnected the next, as if distracted by an invisible Tinkerbell.
And now there's a 50-city tour with a heavy emphasis on midsize cities and the Midwest, a strange strategy for someone who honed his craft doing sketch comedy in Harlem and specializing in hard-core material about being black in America.
"I think it's cool," he said. "Standup allows me to touch other markets that I've never touched before and people who have never seen my act. '30 Rock' was me talking nonsense all the time, but standup is Tracy Morgan, not Tracy Jordan."
Morgan is referring to the NBC series that wrapped up this year after seven seasons and 14 Emmy wins, including two for Outstanding Comedy. His character -- a hyper, dumbed-down version of himself -- was instrumental in the show's attempts to tackle issues of race, something most network producers consider as dangerous as giving Lindsay Lohan her own show.
But the bold efforts by creator Tina Fey paid off, most notably in two iconic scenes. The first happened in Season 2, when TV executive Jack Donaghy (Alec Baldwin) "treats" Jordan by impersonating his family members in such a way that it suggests his study of African-American history was limited to repeats of "Good Times." The other occurred in last year's live episode, pairing Morgan with guest star Jon Hamm, who went into blackface for a sketch that evoked the very worst of "Amos 'n' Andy."
"Television needs to get back to that," Morgan said, referencing "All in the Family" and "The Jeffersons." "P.C. is killing comedy."
But the censors who triple-checked "30 Rock" scripts won't be anywhere in sight as Morgan hits the road on his "Excuse My French" tour.
"People are ready to know the truth about me and maybe they can relate," he said. "That's really more important to me than being funny. I want an identification that sticks with you and makes you want to see me again in person. I mean, I could ask you a question about the Mona Lisa and you could give me all the answers by pressing a computer key, but it's not like seeing it and touching it and breathing the air in Italy."
Due to a hectic road schedule ("If it ain't rough, then it can't be right. If it's not black, it's got to be white"), Morgan won't have to make a personal visit to the Louvre anytime soon -- or do much of anything else.
"I'd love to executive-produce some TV. I'd love to do Broadway or anything God allows me to do, but I can't see that right now," he said. "One thing at a time. In the past, I've tried to do a million things at once, and it didn't work. Hollywood ain't going nowhere. TV is not going anywhere. I've got six cars, but I can only drive one at a time."
Since "30 Rock" premiered in 2006, the busy comedian has appeared in 17 films and released a 2009 autobiography, "I Am the New Black."
One project Morgan will take time off for: The birth of his baby, due in June.
"I want to spend more time with this one," said Morgan, who has three adult children with his first wife. "I'm now in a position where I can have more time. That's special for me."
(Email Neal Justin at firstname.lastname@example.org.)
(Distributed by Scripps Howard News Service, shns.com.)